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| Scene from "Tron Legacy" courtesy of Walt Disney Pictures |
Nowhere are trends more evident than in movies out of Hollywood. We see everything that is coming into vogue first in the films we love. The shingle style Hamptons house in
Something's Gotta Give was practically one of the stars of the movie. My partner and I loved it so much that we modeled our kitchen in our new house after it!
Sex and the City and
The Devil Wears Prada induced a new level of powerfully feminine dress from spike heals to slick and stylish, well,
everything. Hollywood and its partners in the press are the storefronts in our global village. I have literally gone right out and bought a pair of jeans directly after seeing them on an actor in a film I had just seen. We are indeed a captive audience.
On a recent foray to the local cinema, I was lucky enough to catch
Tron Legacy. Now, before I am labeled a techy nerd or some kind of adolescent with yearnings for the past, let me say that although I
was a fan of the first Tron released over 2 decades ago, but I really wanted to see this movie because I had heard tell of the incredible computer graphics that went into it. Disney poured serious cash into the look of this film and since I am in a field that focuses, well lets face it, on the "look" of things... I really couldn't wait to dive in. I wasn't disappointed.
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Midway through the film is a scene which focuses on the living space of one of the main characters: Larry Flynn.
I almost jumped out of my seat when I noticed carved acrylic furniture in the ultra-slick bachelor pad. It was Louis XV in style.
The nonchalant way that the makers of the film presented this scene was actually mind blowing considering the work and expense that
went into every detail of the furnishings.
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Later, after some research, I discovered that the pieces had been painstakingly carved out of solid acrylic, much like we do some of our furniture here at Allan Knight. We have experimented with other more elaborate kinds of carving, but the cost is prohibitive. The table and the Bergere chairs in the movie would cost many thousands of dollars. Not many clients are willing to pay for that kind of detailed extravagance, but we are very appreciative when Disney decides to spend part of their development budget on a look which we have used as a main focus of our business for years.
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The Louis XV shapes in the movie hearken to several of our more popular styles; the most notable being the Chambord Chaise leg. We came up with this leg 5 years ago for a Las Vegas hospitality project. The piece didn't sell for the job but it did launch and become very popular residentially; eventually multiplying to become an entire category of acrylic upholstery.
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Besides acrylic, another clear trend is ultra clear, high quality glass. It began coming to us in simple angular shapes from Asia. We have tirelessly tweaked the shapes and have just recently been able to launch Allan's signature Water Drop Style lamp, formerly available only in porcelain, in solid glass.
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Our newest represented line in the Dallas showroom focuses on lighting that has a transparent floating quality. Not only is there no solid main column within some of Moura Starr's chandeliers, but additionally, these pieces are constructed to seem to float in space thanks to the invisible line from which they hang. Amazingly, the photography we use everyday to sell this line looks like the image from the movie Tron!
It seems that this is another instance of art imitating well...
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| Balance Chandelier from Moura Starr |
Dreamy interiors with ethereal furnishings seems not only to be popping up on digital sound stages and in magazine spreads, they are creeping into the consciousness of the average American.
Who could resist coming home to the icy, Battlestar Gallactica world of Larry Flynn in Tron? I would give my eye teeth for the light-up flooring alone!
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But upon further reflection, maybe life should instruct art. I don't think anyone really wants to deal with light up flooring at 5:00AM... before they have had their first cup of coffee.